Introduction to the History of Architecture
Covers representative buildings and styles from antiquity through the modern era, across both Japanese and Western architectural history.
Fukuda Laboratory
What does a year at this lab look like? Lectures, seminars, equipment, library, and our annual zemi trips — everything a prospective student wants to know, gathered on one page.
Fourteen undergraduate and graduate courses spanning architectural design, history, urban planning, and low-carbon architecture.
Covers representative buildings and styles from antiquity through the modern era, across both Japanese and Western architectural history.
Case studies in low-carbon buildings and cities; sustainable and low-impact design approaches.
Engineering principles, artistic sensibility, and 3D CAD spatial expression — the foundations of architectural design.
A progressive design-studio series — collective housing, schools, commercial buildings, and collaborative projects.
From industrial robots to CNC and 3D printers — equipment for integrating digital fabrication into architectural design.
A 6-axis robot that becomes whatever tool it holds. Swap gripper, milling head, or 3D printer to explore new architectural fabrication possibilities.
Cuts sheet materials such as plywood. Used in graduate courses to build plywood furniture; operated jointly with the Fujita Lab.
Model, specs, and use cases coming soon.
A weekly lab-wide gathering. Research progress presentations with peer critique, announcements and coordination on lab activities, open Q&A, and occasional reflections from the professor — the backbone of our research rhythm.
A sizable working collection of architecture, urban planning, and environmental engineering volumes has accumulated in the lab over the years. No formal catalog or index yet exists — browsing the shelves is the only way in at present — but cataloging is underway.
An annual field trip to architectural and urban sites within Japan. Open to students across all years; the aim is to experience scale, material, and atmosphere in person — qualities that drawings and photographs cannot fully convey.